All Alma-Tadema, Sir Lawrence Oil Paintings

b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.
 
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Alma-Tadema, Sir Lawrence Copy of wall painting from the tomb of Nebamun in the British Museum,London (mk23) oil on canvas


Copy of wall painting from the tomb of Nebamun in the British Museum,London (mk23)
Copy of wall painting from the tomb of Nebamun in the British Museum,London (mk23)
Painting ID::  22921 		  1860s Watercolour,19.7 x 28.6 cm(7 3/4 x 11 1/4in) University of Birmingham
  1860s Watercolour,19.7 x 28.6 cm(7 3/4 x 11 1/4in) University of Birmingham

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Alma-Tadema, Sir Lawrence Edwin Long,An Egyptian Feast (mk23) oil on canvas


Edwin Long,An Egyptian Feast (mk23)
Edwin Long,An Egyptian Feast (mk23)
Painting ID::  22922 		  1877 Oil on canvas,189.2 x 381 cm(74 1/2 x 150 in) Cartwright Hall Art Gallery,Bradford
  1877 Oil on canvas,189.2 x 381 cm(74 1/2 x 150 in) Cartwright Hall Art Gallery,Bradford

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Alma-Tadema, Sir Lawrence This is our Corner (Portrait of Laurense and Anna Alma-Tadema) (mk23) oil on canvas


This is our Corner (Portrait of Laurense and Anna Alma-Tadema) (mk23)
This is our Corner (Portrait of Laurense and Anna Alma-Tadema) (mk23)
Painting ID::  22923 		  1873 Oil on wood,56.5 x 47 cm(22 1/4 x 18 1/2 in) Van Gogh Museum,Amsterdam
  1873 Oil on wood,56.5 x 47 cm(22 1/4 x 18 1/2 in) Van Gogh Museum,Amsterdam

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Alma-Tadema, Sir Lawrence Anna Alma-Tadema,The Drauwing Room at Toumshend House (mk23) oil on canvas


Anna Alma-Tadema,The Drauwing Room at Toumshend House (mk23)
Anna Alma-Tadema,The Drauwing Room at Toumshend House (mk23)
Painting ID::  22924 		  1885 Watercolour,26 x 17.5 cm(10 1/4 x 6 7/8 in) Royal Academy of Arts,London
  1885 Watercolour,26 x 17.5 cm(10 1/4 x 6 7/8 in) Royal Academy of Arts,London

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Alma-Tadema, Sir Lawrence Between Hope and Fear (mk23) oil on canvas


Between Hope and Fear (mk23)
Between Hope and Fear (mk23)
Painting ID::  22926 		  1876 Oil on canvas,78.1 x 128.2 cm(30 3/4 x 50 1/2 in) Private collection
  1876 Oil on canvas,78.1 x 128.2 cm(30 3/4 x 50 1/2 in) Private collection

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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